Autodesk® Architectural Desktop 2006 ($4695




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Autodesk® AutoCAD 2006 ($829




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Autodesk® MECHANICAL DESKTOP V2006 ($5175


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Autodesk®   Civil 3D Design Companion 2006  ($4995




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Autodesk® Alias StudioTools 13 ($ 7500




Alias StudioTools is a scalable software solution with the right product for your design tasks from 2D sketches to production models. More so than ever before, the design of a product determines how successful it will be. To keep up with rapidly changing consumer trends, designers need specialized tools to develop, communicate, and produce compelling designs within tight deadlines - plus the flexibility to make changes throughout the design process. Alias equips you with software tools that are the standard for outstanding design in transportation and consumer products - including sporting goods, electronic devices, toys, appliances and computers. If design is important to your success, use StudioTools.


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Showcase, Autodesk’s brand new design review and concept evaluation tool, is the first product to come from the former Alias team since their acquisition by Autodesk earlier this year.




As a software developer, Alias has always been well respected in the dual world of industrial/product design and transportation design. While the main focus of the business was always split between the StudioTools surface and concept development system and the entertainment world of Maya, the company was also very active in the world of visualisation and collaboration, with a number of tools adopted by some pretty heavyweight automotive OEMs and world leading design-led organisations – such as PortfolioWall, which enables collaboration based on visual data, rather than CAD geometry or text-based methods. It’s against this background that Alias’ new owner, Autodesk, has released the first tool to come out of that environment since the acquisition – Autodesk Showcase.

Without getting too bogged down in details (that comes later), Showcase is a product built from the ground up for carrying out design reviews and concept evaluation. It does this by providing very efficient 3D data presentation and visualisation technology, combined with a very simple, but fully customizable and programmable, user interface – and perhaps just as importantly, the whole system has been built to allow the same sessions to be run across a wide area network, allowing true, fully immersive design review irrespective of geographic location. The system’s use can be split into a three stage workflow, so let’s follow that and see what you can do and how.




As with any visualisation system, the first step is to take your design data and prepare if for the process. Showcase currently has a variety of import tools that allow you to bring in data from AliasStudio (formerly StudioTools) .wire files, STEP, IGES, CSB (COSMO Scene Binary), Open Inventor, STL, JT as well as using the range of DirectConnect products, which allow you to connect to SolidWorks, etc. The system also supports Maya. This allows you to fine-tune or correct UV layouts for texturing or adding custom effects such as puffing surfaces for upholstery with Maya and then import that data into Showcase.

Once you’ve identified your data, the next step is to go through the tessellation process. All visualisation tools use the same data reduction techniques by converting your surface-based data into a useable format. This is always a trade off between graphics performance and quality of image – by having a higher tessellation rate, you’re reducing the display quality of the geometry. Here, Showcase has some very clever tricks up its sleeve. The system loads the data and presents you with a list in terms of parts, assembly hierarchy, groups and layers and level of detail etc. Next to each part, you set the tessellation level you want, with preset levels-of-detail from high quality/heavier data for quality / A class surfaces and exteriors, down to low quality/low tessellation for non-critical parts. The system then does the tessellation in a batch-type process.

Where Showcase gets clever is that it maintains the links to the original data, so any design changes made are flagged to the user and the converted data is updated, ensuring that you’re dealing with up-to-date design changes - it also automatically handles repositioning and material assignment, but more on that shortly. Another factor to consider at this stage is the common problem in some visualisation systems of cracking, where surface geometry isn’t fully stitched. Within Showcase, surfaces are stitched together during import based on topology sets – automatically. This means that the displayed surfaces are higher quality and crack-free – and also helps with material assignment.

Finally, and on a systems integration front, you can also use scripting methods to handle the data preparation process outside of Showcase to convert large datasets on a regular basis, so they are ready to go when the need arises – this can even be integrated into a PDM system to have the PDM system execute the preparation process when new data is checked into a vault.



Once your CAD data has been loaded into Showcase, the fun bit starts – making it look good. If you need to position your parts, you can do so very easily using a 3D manipulator, but with a bit of luck, the correct positions are retained from your source file. When it comes to materials assignment, Showcase retains any material assignment data held within the source data file (such as Alias .wire and Maya files), as a default, but the chances are you’ll want to use the material options available in the system.

Showcase ships with a huge library of realistic materials and provides you with a range of tools for selecting, modifying and positioning them on your product model. The system is supplied with a wide range of base materials covering, at present, those found within the automotive realm, so we’re looking at car paint, glass, leather etc, and with the latest release, these have been expanded to include additional paint colours, plastic and rubber but also fine tuning of others. These are fully customisable to your requirements using the on-screen dialogs.

The next stage is to build the environment in which your products are going to be placed. Showcase is supplied with a number of high quality environments, but also includes all manner of tools and technology to allow you to fully define these to suit your requirements. The system uses a combination of Image-Based Lighting (IBL) and graphics hardware technology to remove the time and effort currently required to set up and light a scene in other systems. You have a number of presets including photo studio setups, surface evaluation and image-based lighting (HDRI) environments – all of which include lighting, floors and backgrounds. You can then either adapt the specific ambient shadow, lighting, and ground shadow options or create them from scratch.

Once your product is set-up along with its environment, you can then work through the process of defining design alternatives and different scenes. Showcase has been built to make this process as painless as possible and anyone that’s done any sort of visualisation work in the past will be aware of how much effort typically needs to go into the whole processes to make a product look realistic.

Design alternatives can take the form of different material options, different scenes and environments or even variations of geometry position or entirely new sets (such as different automotive models – doors open/closed etc). Showcase handles the process of defining which materials or parts are swapped out when switching between design variants (during a design review or presentation), making these available at the click of a button.

Alongside the environment set-up, you can also very quickly set-up dynamic movements that allow you to define pre-set sequences that the system will transition between in a cinematic style. These range from basic turntables (new for the latest, 2007.07 release) to dynamic camera movements to highlight important features for review – which are referred to as Shots. To create Shots, the user simply selects the view at the beginning and end of the shot and the type of transition and Showcase does the rest for you. These cinematic shots can be accessed during presentations with a single click.


Presentation and review
 
Showcase supports the import of a wide range of formats and enables users to set the tessellation level for each part Once your model is prepared, and the various design alternatives and environments set-up, the final stage is of course, presenting your data to peers, management, or clients – after all, that’s what the system has been developed to do. When in presentation mode, the interface for Showcase is stripped back to a bare minimum – pretty much just the model. Crisp, clean menus for selecting shots, design variants and environments are accessed through keyboard shortcuts. While the interface is very clean, if you want to take things further, you can customize the UI using standard HTML or Flash editors to tailor the front-end for presentations (such as including corporate or client branding and graphics). In terms of display support, the system has been designed to be used in a number of different environments.

At a base level, if you’re using a projector or large format screen running from a workstation, or indeed, on a laptop, the system allows you to display your model, interact and inspect it, and use the various shots you’ve set-up in a very efficient manner, with use of menus reduced to an absolute minimum – so that those taking part in the design review are focussed on the model on screen rather than your interaction with it.

If you’re running this using a large-scale visualisation system, with the operator using a different screen, then Showcase allows you to have the group display showing just the model, while the operator is controlling the system, with menus visible.

While the Shots functionality allows you to create pre-set walk arounds and presentations, you’re equally able to dive in and manipulate the view of the model in a much more interactive manner. This allows you to see the model in the manner you need. To make this process even easier, the system supports the use of not only the mouse/keyboard combo, but also game-style controllers to control all the navigation tools such as panning, dollying, tumbling, tracking, even jumping to bookmarks and changing the focus of interest.





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Increase efficiency, accuracy, and design flexibility with Autodesk Revit Structure software. Using a single building information model and dynamic linking to third-party analysis applications, Autodesk Revit Structure integrates and coordinates structural design and documentation.

Autodesk Revit Structure enables you to work more efficiently with concurrent modeling for structural design, analysis and documentation. And it links to intelligent 3D architectural models from Autodesk Architectural Desktop and Autodesk Revit Building, as well as intelligent 3D building services models from Autodesk Building Systems. Revit Structure also helps you analyze part or all of the building with bidirectional linking to industry-leading third-party analysis.

Features
One single model for both structural analysis and documentation
Autodesk Revit Structure combines a physical model of the building fully associated with an analytical model editable by the structural engineer. While the physical model is used for drawing production and coordination, the analytical model is used by third-party structural analysis applications. Any design changes made during the analysis automatically update the Revit Structure model as well as the construction documents.

Bidirectional associativity between model and views
In Revit Structure, every 2D and 3D view, every drawing sheet, every detail and every schedule is a direct presentation of information from the same underlying building database, so each time you make changes, it propagates those changes throughout the model and updates every related plan, section, elevation, or schedule. This key feature of Autodesk Revit Structure makes all the difference in the systemís ease-of-use and responsiveness, helping to eliminate coordination errors and improve overall documentation quality.

Bidirectional links with multiple analysis packages
The Revit Structure analytical model is dynamically linked with external structural analysis and design programs such as the industry-leading ETABS software from Computer and Structures Inc. and RISA-3D software from RISA Technologies.

Bidirectional linking means that analysis results accurately and automatically update your model if any member size has changed. And parametric change technology coordinates those updates everywhere in your project views and construction drawings.

Multiple materials
You can use several materials such as steel, cast-in-place concrete, precast concrete, masonry, or wood. You can mix different materials in the same structural model.

Parametric structural components
Revit Structure offers a full set of structural design tools such as walls, joist systems, beams, trusses, open web joists, precast concrete elements, concrete rebars, steel connections, anchors, metal decks details, etc. Parametric definitions allow quick revisions to any object types. New objects or details or symbols are graphically created and stored in families that you can edit and reuse in several projects.

Powerful drawings production
Revit Structure automates the repetitive and manual drafting tasks done in conventional CAD systems. Sections, elevations, and call-out detail views can be cut instantly. Referencing of sections, elevations, and details is done automatically in accordance to the sheets numbers. With the bidirectional associativity described above, any change in any view is propagated in every related view and drawings stay fully coordinated. Details can be based on views of the model with added graphics, or independent 2D drawings created in Revit Structure or conventional CAD files imported or linked into the project.

DWG/DXF/DGN support
Autodesk Revit Structure imports, exports, and links your data with the industryís best DWG compatibility. Native support for DWG, DXF, and DGN formats assures fully compatible data exchange. Revit Structure supports the traditional workflow where structural modeling starts with 2D DWG files provided by the architect.

Worksharing
Worksharing distributes the power of the parametric building modeling environment across the project team on Revit platform. You share the same intelligent building information model in one file. Worksharing provides a complete range of collaboration modes: within a structural engineering firm, between engineers and drafters; also within an architectural engineering firm, between engineers and architects and drafters working with them.

Bidirectional links with Autodesk Architectural Desktop For better coordination with architects using Autodesk Architectural Desktop, Revit Structure imports 3D object-based architectural models and also exports 3D structural objects back to Architectural Desktop. This link also allows for collaboration with MEP engineers using Autodesk Building Systems. Structural engineers can export their structural elements into Autodesk Building Systems for interference checking between ducts and pipes and structural members.

Interoperability with Autodesk Revit Building
Engineers and architects can take full advantage of the Revit building information modeling platform and work more efficiently on the same shared database. They can perform interference checking between architectural and structural members. And for ultimate coordination, they can receive electronic notifications about the design changes made by either party.




 



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Autodesk Maya Complete software is a comprehensive suite of 3D tools for modeling, animation, and rendering within a single, production-proven workflow. Maya Complete - the choice of award-winning digital artists and animators - has an intuitive design that makes it a favorite among digital content creation artists and enthusiasts of all experience levels who develop 2D and 3D artwork for film, broadcast, game development, multimedia (print and web) or design visualization.

With Autodesk Maya 8, Autodesk demonstrates its commitment to meeting the demands of next-generation productions by addressing the fundamental challenges customers face today.

Core Performance - The 64-bit version of Maya 8 (for Microsoft Windows and Linux operating systems) enables you to address considerably more memory than ever before. Scalable multithreading in key areas of the software - including skinning, draw tessellation, and subdivided polygon proxy meshes - combined with workflow enhancements let you take full advantage of the latest technology and remove performance bottlenecks.

Productivity - Customize menu sets to improve workflow and suit your individual needs. Create primitives interactively. Work more intuitively with UVs. Enhancements to existing tools, in addition to new features such as Polygon Bridge and Transfer Polygon Attributes, make formerly time-consuming modeling and texturing tasks easier and more streamlined.

Pipeline Efficiencies - Autodesk solutions offer the possibility of unmatched interoperability and collaboration throughout your production pipeline and are designed to accelerate your digital media creation workflow. Exchange complex data with Autodesk 3ds Max software with enhancements to FBX technology and the addition of interchangeable geometry caching. Work seamlessly with post-production artists using Autodesk Toxik collaborative software, and avoid the need to re-render shots. Review your scene as it will appear in the target renderer - such as a games engine - directly in Maya.

Maya Complete 8 includes toolsets for:
Modeling
Animation
Visual Effects
Rendering
Paint tools
Toon Shading

Plus:
Maya API/SDK and MEL
Tutorials and Documentation

The 32-bit version



The 64-bit version




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Unlock the value of scanned drawings and maps, aerial photos, satellite imagery, and digital elevation models using the software professionals prefer: Autodesk Raster Design 2007. Used for design instruction at top universities, Raster Design 2007's easy-to-use raster tools integrate with all AutoCAD?2007 based applications for complete file compatibility. Clean up, edit, or vectorize scanned drawings without redrafting. Incorporate imagery, maps, and scanned drawings into presentations to effectively communicate your ideasand watch others sit up and take notice. Prepare for your future with tools from the industry leader. Why? Because when you learn design with tools from Autodesk, you know you're prepared for success






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Take on the most demanding, high-volume animation projects with confidence. Create state-of-the-art animations in record time. Autodesk® MotionBuilder software offers a collection of real-time character-centric tools for tasks ranging from traditional key-framing to intensive motion capture editing. The MotionBuilder native Autodesk FBX® file format allows you to easily transfer assets to and from Autodesk® 3ds Max® and Autodesk® Maya® software products, and any other content creation package that supports FBX—making it a complementary package that can enhance any new or existing production pipeline.

The MotionBuilder Family

Autodesk MotionBuilder 7.5 software is the foremost productivity suite for 3D character animation. It delivers award winning tools to tackle the most demanding, high-volume animation projects.  Together with its unique real-time architecture, non-destructive animation layering, Story Timeline non-linear editing environment and intuitive workflow, MotionBuilder provides tools to take on the most demanding animation challenges.


Autodesk MotionBuilder Personal Learning Edition™
Explore the Autodesk MotionBuilder character animation toolset and develop your animation skills. This special learning edition provides free* access to the software, with no time limit, for non-commercial use.








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Autodesk Civil Design software extends the functionality of AutoCAD Land Development Desktop software with tools for analyzing project data and creating drawings automatically. This civil engineering add-on software accesses centralized project data though AutoCAD Land Development Desktop so you can create drawings for any projects from residential grading and access roads to subdivision proposals and major highway interchanges. Autodesk Civil Design enhances the collaborative work environment for projects that have requirements for transportation engineering, site development, hydrology, and hydraulics.







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Product Overview
With Autodesk Architectural Desktop 2006 educational software you get flexibility in implementation and use, the efficiency of real-world building objects, and the best AutoCAD software-based design and documentation productivity for architects and architects-in-training. The AutoCAD-based interface makes learning easy, and compatibility with other Autodesk products means transferring files is a snap. Make them sit up and take notice by sharing your designs using integrated VIZ Render for visualization and presentation. And when you learn design skills using tools from the industry leader, you know you're prepared for success in class and on the job.


Product Features
Overview

Autodesk® Architectural Desktop 2006 software fits right into your existing ways of working, providing the best AutoCAD®-based design and documentation productivity for architects.

Immediate Productivity

Autodesk Architectural Desktop enables you to create your architectural documentation faster. The software also gives you more tools that automate tedious drafting tasks, making document coordination even easier.

Increased Efficiency

Increase efficiency by automating production of drawings and schedules. Because your design is linked to construction documents, coordinating changes is easier and the entire documentation process is more efficient and of higher quality.

Greater Flexibility

Autodesk Architectural Desktop uses your existing working methods, allowing an easy and measured transition to more advanced features. Start with familiar AutoCAD-based features, and move forward at your own pace.

Smoother Collaboration

Autodesk Architectural Desktop is interoperable with other Autodesk building design solutions and services for more effective collaboration with your extended design team.


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Autodesk, Inc. has launched the Autodesk Lustre 2007 digital color grading solution. Lustre has shaped hundreds of films, including King Kong, Clerks II and the upcoming films Macbeth and The Black Dahlia. There is also growing demand for specialized digital grading tools like Lustre in the TV industry and for films shot in high definition (HD). With Lustre, colorists can deliver stylized looks, maintain continuity across shots and change the time of day during which a story takes place. Lustre 2007 offers real-time capabilities through the use of high-bandwidth, cost-effective Graphics Processing Units (GPUs). It also enables colorists to collaborate with visual effects and finishing artists, which promotes increased creativity while speeding project completion.

Melbourne-based Digital Pictures was beta testing Lustre 2007, and used its Lustre 2.7 system on Macbeth. Macbeth director Geoffrey Wright commented on how Lustre impacted the film's creative process: "Working with Digital Pictures and colorist Justin Heitman gave me progressive confidence that the creative process would be an exciting one. The grading process is now, like editing, another chance to rewrite some elements of the movie, to inject a mood or feeling that may not have been considered before. Grading digitally is no longer a matter of mere consistency, it is explosively creative and inventive, a very stimulating and fascinating task with endless possibilities."

Lustre 2007 is based on a non-linear, data-centric software architecture. Its GPU-accelerated grading provides real-time playback of primary color grading and key secondary grading capabilities. The solution's real-time deliverables functionality makes it possible to start from a 2K resolution master and generate re-formatted primary grade HD and standard-definition deliverables without the need for successive, time-consuming render passes.

Pamela Hammond, head of Post at Digital Pictures, said, "Macbeth was the first HD project to be digitally graded in our state-of-the-art Digital Grading Theatre. Autodesk Lustre gives us the freedom to use numerous creative tools for primary color correction and secondary color correction, window isolation and keying. What's more, Lustre provides us with a key advantage for versioning, since multiple aspect ratios can be created with the same color-corrected images and the same dirt fix can be applied in one pass with its onboard tools."

The Lustre 2007 workflow eases the process of collaborating with a facility's finishing suite. Based around Autodesk Stone media or media residing on an open file system, this workflow allows grading to begin before the final edit is complete, giving colorists more time to experiment and finalize a project's look and feel. For example, Lustre 2007 can be used to round-trip a project from the Autodesk Smoke editing/finishing system or Autodesk Flame visual effects system to Lustre and back without the use of video tape or file exports. This is made possible through the Autodesk Wiretap client-server access protocol.

As well, colorists can capture, render and play out interlaced or progressive video material with Lustre 2007, making it the ideal solution for many types of grading projects. With support for true field-based rendering, interlaced video can be graded using animated roto shapes, animated repositioning or resizing and displayed in 10-bit video on a broadcast monitor, without flickering.

For a complete feature listing and to learn more about Lustre 2007, please visit www.autodesk.com/lustre.

Availability, Configuration and Pricing
Autodesk anticipates that Lustre 2007 will be available in September 2006 for the Microsoft Windows operating system. Lustre 2007 is comprised of the following:
Lustre Master Station: Includes the full Lustre toolset and is designed for GPU-accelerated sessions where the colorist works together with the cinematographer. Contains an extensive creative toolset for more elaborate visual design and grading using up to 4K resolution and 16-bit files and for completing tasks like dust busting, conforming, rotoscoping and capture/playout.
Lustre HD Station: Cost-effective GPU performance for conforming, preparing, grading and mastering short-form and long-form HDTV projects, as well as HD film projects. Input up to 10-bit 2K and output HD and SD.
Lustre Station: Tasks that do not require the direct intervention or supervision of the colorist can be efficiently handled by a Lustre Station. Multiple Lustre Stations can work in parallel to increase throughput and can be used for tasks such as dust-busting, preparatory work, fine-tuning creative sessions, conforming data from EDLs, updating editorial changes using change lists, or mastering to different formats using the real-time deliverables function.

Lustre 2007 is compatible with the new Autodesk Control Surface, which has three sub-panels that enable it to be easily configured for both left- and right-hand dominant operation.